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	<title>No Straight Lines &#187; Mastery</title>
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	<description>... a knowledge worker's waste blog ...</description>
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		<title>PowerPoint tip &#8211; animation indicator</title>
		<link>http://nsl.gbrettmiller.com/2008/powerpoint-tip-animation-indicator</link>
		<comments>http://nsl.gbrettmiller.com/2008/powerpoint-tip-animation-indicator#comments</comments>
		<pubDate>Wed, 10 Sep 2008 04:03:46 +0000</pubDate>
		<dc:creator>Brett</dc:creator>
				<category><![CDATA[Knowledge Work]]></category>
		<category><![CDATA[Learning]]></category>
		<category><![CDATA[Mastery]]></category>
		<category><![CDATA[Tools]]></category>
		<category><![CDATA[visual thinking]]></category>
		<category><![CDATA[Work Literacy]]></category>
		<category><![CDATA[animation build]]></category>
		<category><![CDATA[PowerPoint]]></category>
		<category><![CDATA[tips]]></category>

		<guid isPermaLink="false">http://nsl.gbrettmiller.com/?p=445</guid>
		<description><![CDATA[Sitting through an attempted-murder-by-PowerPoint design review today, one of the presenters questioned whether or not some of his slides had animation builds on them or not.  This most often resulted in him going forward a slide, apologizing, then backing up to where he wanted to be.  It occurred to me that there is an easy [...]]]></description>
			<content:encoded><![CDATA[<p>Sitting through an attempted-murder-by-PowerPoint design review today, one of the presenters questioned whether or not some of his slides had animation builds on them or not.  This most often resulted in him going forward a slide, apologizing, then backing up to where he wanted to be.  It occurred to me that there is an easy way to avoid this.</p>
<p>If you have a slide that has animation builds in it, simply place a small graphic somewhere on the slide that lets you know there is a build coming.  If you have multiple builds, make sure the graphic stays on-screen until the last build for that slide is complete.  That way you know that the next click of the mouse will take you to the next slide.</p>
<p>Interestingly, I&#8217;ve been guilty of this in the past as well but never came up with this idea based on my own presentations.  Something about being able to observe from the outside, without the pressure of performance, makes it easier to see the things that can be improved.  This is a good reason for you to conduct your own <a href="http://feeds.feedburner.com/~r/typepad/michelemartin/thebambooprojectblog/~3/383111004/debriefing-your.html">personal debriefing</a> after briefings or other &#8220;performances&#8221;.</p>
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		<title>Work competency, literacy, and mastery</title>
		<link>http://nsl.gbrettmiller.com/2008/work-competency-literacy-and-mastery</link>
		<comments>http://nsl.gbrettmiller.com/2008/work-competency-literacy-and-mastery#comments</comments>
		<pubDate>Tue, 01 Jul 2008 00:55:12 +0000</pubDate>
		<dc:creator>Brett</dc:creator>
				<category><![CDATA[Knowledge Work]]></category>
		<category><![CDATA[Learning]]></category>
		<category><![CDATA[Mastery]]></category>
		<category><![CDATA[Social Networks]]></category>
		<category><![CDATA[Tools]]></category>
		<category><![CDATA[Video Games]]></category>
		<category><![CDATA[visual thinking]]></category>
		<category><![CDATA[Web 2.0]]></category>
		<category><![CDATA[Work Literacy]]></category>
		<category><![CDATA[Add new tag]]></category>
		<category><![CDATA[competency]]></category>
		<category><![CDATA[Knowlege Work]]></category>
		<category><![CDATA[literacy]]></category>
		<category><![CDATA[WorkLiteracy]]></category>

		<guid isPermaLink="false">http://nsl.gbrettmiller.com/?p=443</guid>
		<description><![CDATA[Tony Karrer&#8217;s comments to a recent post of mine that discussed the application of a craft work model to knowledge work got me thinking a bit more about the subject. I&#8217;ve also been thinking some about the one of the goals of the Work Literacy project, specifically to &#8220;help build a foundation of knowledge of [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://nsl.gbrettmiller.com/2008/lessons-learned-and-learned-lessons#comment-52697">Tony Karrer&#8217;s comments</a> to a <a href="http://nsl.gbrettmiller.com/2008/lessons-learned-and-learned-lessons">recent post of mine</a> that discussed the application of a craft work model to knowledge work got me thinking a bit more about the subject.  I&#8217;ve also been thinking some about the one of the goals of the Work Literacy project, specifically to &#8220;help build a foundation of knowledge of methods for knowledge work&#8221; (as Tony wrote in comments to Michele&#8217;s post <a href="http://www.workliteracy.com/knowledge-workers-as-craft-workers#respond">Knowledge Workers as Craft Workers</a>).</p>
<p>So instead of apprentice/journeyman/master, which refer as much to an individual&#8217;s position within an organization as it does to the individual&#8217;s skill level, I&#8217;m thinking the more basic terms of competency, literacy, and mastery may apply.  These speak directly to the skill level of the individual in terms of the individual&#8217;s goals, and is independent of any organization they may be part of.</p>
<p>Obviously, these terms will need to be defined a bit in the context of knowledge work and work literacy to be of use to the current effort.  A good place to start is at the basic definitions of the terms:</p>
<ul>
<li><a href="http://dictionary.reference.com/browse/competent">Competent</a>:  having suitable or sufficient skill, knowledge, experience, etc., for some purpose; properly qualified;  adequate but not exceptional.</li>
<li><a href="http://dictionary.reference.com/browse/Literate">Literate</a>:  having knowledge or skill in a specified field</li>
<li><a href="http://dictionary.reference.com/browse/Mastery">Mastery</a>:  command or grasp, as of a subject:</li>
</ul>
<p>Though competency and literacy seem to be very similar, I see them as distinct in the following way. Competence means that you have the knowledge/skill to perform a given task, without necessarily understanding why it is done or having the ability to adapt of if the conditions under which you learned the skill change.  Literacy, on the other hand, suggests that you understand why you perform the task the way it is and that you have the ability to adapt your performance to changing conditions and still be successful.</p>
<p>To re-word Tony&#8217;s goal stated above, the question in my mind then becomes, &#8220;What competencies are needed for knowledge workers today?&#8221;</p>
<p>Here are a couple that come to mind.  I&#8217;ll save more detailed discussion of these for the comments or future posts.</p>
<p>SUGGESTED COMPETENCIES</p>
<ul>
<li>Technology (hardware)</li>
<li>Technology (software)</li>
<li>Personal Computers</li>
<li>Social Networking (technical and personal)</li>
<li><a href="http://www.workliteracy.com/is-the-ability-to-create-visuals-an-important-work-literacy">Visual Communications</a></li>
<li>Information Assurance / Security</li>
<li>Impact of Globalization</li>
<li>Finance / money</li>
<li>Interpersonal communications</li>
</ul>
<p>I&#8217;m sure there are more, and I&#8217;m sure some of these may not be appropriate.  But it is a start.</p>
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		<title>Tools do not a master make [redux]</title>
		<link>http://nsl.gbrettmiller.com/2008/tools-do-not-a-master-make-redux</link>
		<comments>http://nsl.gbrettmiller.com/2008/tools-do-not-a-master-make-redux#comments</comments>
		<pubDate>Thu, 26 Jun 2008 00:27:55 +0000</pubDate>
		<dc:creator>Brett</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Learning]]></category>
		<category><![CDATA[Mastery]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Tools]]></category>
		<category><![CDATA[Work Literacy]]></category>
		<category><![CDATA[Digital Thinking]]></category>
		<category><![CDATA[KnowledgeWork]]></category>
		<category><![CDATA[PowerPoint]]></category>
		<category><![CDATA[WorkLiteracy]]></category>

		<guid isPermaLink="false">http://nsl.gbrettmiller.com/?p=434</guid>
		<description><![CDATA[I&#8217;ve been catching up on the posts over at Work Literacy (that&#8217;s a lot of catching up!), along with discovering new (to me) blogs in the field of learning. This in turn has had me revisiting old posts and ideas of my own. Joan Vinall-Cox&#8217;s post Old Skills and New Know-How, a response to Michele [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve been catching up on the posts over at <a href="http://www.workliteracy.com">Work Literacy</a> (that&#8217;s a lot of catching up!), along with discovering new (to me) blogs  in the field of learning.  This in turn has had me revisiting old posts and ideas of my own.</p>
<p>Joan Vinall-Cox&#8217;s post <a href="http://joanvinallcox.wordpress.com/2008/06/24/old-skills-new-know-how/">Old Skills and New Know-How</a>, a response to Michele Martin&#8217;s post <a href="http://www.workliteracy.com/knowledge-workers-as-craft-workers">Knowledge Workers as Craft Workers</a> (which, as it turns out, is based on a <a href="http://www.workliteracy.com/developing-work-literacies-whos-the-target-audience#comment-250">comment I left</a> to another of Michele&#8217;s posts), discusses the importance of understanding the skills that must go into using a new technology.</p>
<p>Re-printed below is a post of mine from August 2006, <a href="http://nsl.gbrettmiller.com/2006/tools-do-not-a-master-make">Tools do not a master make</a>, that explores a similar theme.</p>
<p>= = == === =====</p>
<div class="post-entry">
<p>No tool of modern technology is as universally used, and almost as universally reviled, in the world of business and government as is <a title="Microsoft Office Online: PowerPoint 2003 Home Page" href="http://www.microsoft.com/powerpoint">Microsoft PowerPoint</a>. Perhaps most famous of the PowerPoint bashers is <a title="The Work of Edward Tufte and Graphics Press" href="http://www.edwardtufte.com/tufte/index">Edward Tufte</a>, writer of several books and essays on information design.  (I was fortunate enough to attend one of <a title="Edward Tufte: Courses" href="http://www.edwardtufte.com/tufte/courses">his  courses</a> in the late ’90s, his <a title="Edward Tufte: Posters" href="http://www.edwardtufte.com/tufte/posters">poster of Napoleon’s March to Moscow</a> still hangs on the wall in my office.)</p>
<p>Tufte has described his issues with PowerPoint in  magazine articles (such as <a title="Tufte - PowerPoint is Evil (wired.com  Sep 2003)" href="http://wired.com/wired/archive/11.09/ppt2.html">PowerPoint is Evil</a> in <a title="Wired.com" href="http://wired.com/">Wired</a> magazine), in a self-published essay entitled <a title="Edward Tufte - The Cognitive Style of PowerPoint" href="http://www.edwardtufte.com/tufte/powerpoint">The Cognitive Style of PowerPoint</a>, and in a chapter in his latest book <a title="Edward Tufte - Beautiful Evidence" href="http://www.edwardtufte.com/tufte/books_be">Beautiful Evidence</a>.   In the past week or so a few others have also lambasted PowerPoint, including Dave Snowden of <a title="Cognitive Edge" href="http://www.cognitive-edge.com/">Cognitive Edge</a> in a couple of posts (<a title="Dave Snowden - Festival of Bureaucratic Hyper-Rationalism" href="http://www.cognitive-edge.com/2006/08/festival_of_bureaucratic_hyper.php">Festival of Bureaucratic Hyper-Rationalism</a> and <a title="Dave Snowden - Tufte and PowerPoint" href="http://www.cognitive-edge.com/2006/08/tufte_and_powerpoint.php">Tufte and PowerPoint</a>) and Scott Adams (via <a title="Dilbert - 04 August 2006" href="http://www.dilbert.com/comics/dilbert/archive/dilbert-20060804.html">Dilbert</a>).</p>
<p><a title="Don Norman's jnd.org / press kit / biography" href="http://www.jnd.org/bio-sketch.html">Don Norman</a>, of the <a title="Nielsen Norman Group: usability consulting, training &amp; user research reports" href="http://nngroup.com/">Nielsen Norman Group</a>, has a different take on PowerPoint.  In his essay <a title="Don Norman's jnd.org / In Defense of PowerPoint" href="http://jnd.org/dn.mss/in_defense_of_powerp.html">In Defense of PowerPoint</a>, Norman places the blame not on PowerPoint but on those who use it improperly. “Don’t blame the problem on the tool.” Or, put another way &#8211; <a title="Google search results" href="http://www.google.com/search?hl=en&amp;q=%22Powerpoint+doesn%27t+bore+people%2C+people+bore+people%22&amp;btnG=Google+Search">PowerPoint doesn’t bore people, people bore people</a>. <a title="About Cliff Atkinson" href="http://sociablemedia.typepad.com/about.html">Cliff Atkinson</a> is another who believes that PowerPoint can be used effectively.  For some great ideas check out the <a title="beyond bullets" href="http://www.beyondbullets.com/">Beyond Bullets</a> blog or Atkinson’s book <a title="amazon.com - Beyond Bullet Points: Using Microsoft PowerPoint to Create Presentations That Inform, Motivate, and Inspire" href="http://www.amazon.com/exec/obidos/ASIN/0735620520/sociablemedia-20">Beyond Bullet Points</a>.</p>
<p>Of course, this problem is not limited to the world of business. One of the big promises of ever faster and more powerful consumer technology (if we are to believe marketing campaigns) is that everyone will be able to perform like an expert. Take, for example, the following pitch for Apple’s GarageBand software (emphasis is mine):</p>
<blockquote><p>The new video track in GarageBand makes it easy to add an original music score to your movies. And don’t worry about your musical talent — <strong><em>or lack thereof</em></strong>. Just use GarageBand’s included loops, or try a combination of loops, software instruments, or any previous audio recordings you created.</p>
<div class="source">— <a title="Go to http://www.apple.com/ilife/garageband/" href="http://www.apple.com/ilife/garageband/">Apple &#8211; iLife &#8211; Garageband</a></div>
</blockquote>
<p>Don’t get me wrong, I love GarageBand (and the whole <a title="Apple - iLife" href="http://www.apple.com/iLife">iLife</a> suite for that matter, I use it almost every day). It is very easy to create a ’song’ using loops, like my <a id="p21" title="First Song.mp3 - Brett Miller's first song in GarageBand" onmousedown="selectLink(21);" href="../wp-content/uploads/2006/08/First%20Song.mp3">First Song</a>. Once I got comfortable with the GarageBand interface, it only took me a couple of hours to browse through the loops, pull some together so it sounded good, and export it to iTunes. The ’song’ is listenable, but doesn’t reflect any real musical skill on my part. I didn’t apply any knowledge of time signatures, keys, tempo, or anything. I just dragged-and-dropped.</p>
<p>I guess my point is don’t get pulled into a false belief that a tool, any tool, can make you an expert at something or give you expert results. Remember, good tools are nice to have, but in the hands of a master even the simplest of tools can create wonders.</p>
<p>===== === == = =</p>
<p>You may also want to check out one of my earliest posts, <a href="http://nsl.gbrettmiller.com/2003/quick-example-of-individual-productivity-gainssavings-based-on-digital-thinking">Quick example of individual productivity gains / savings based on digital thinking</a>.</p>
</div>
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		<title>Lessons learned and learned lessons</title>
		<link>http://nsl.gbrettmiller.com/2008/lessons-learned-and-learned-lessons</link>
		<comments>http://nsl.gbrettmiller.com/2008/lessons-learned-and-learned-lessons#comments</comments>
		<pubDate>Tue, 24 Jun 2008 23:26:09 +0000</pubDate>
		<dc:creator>Brett</dc:creator>
				<category><![CDATA[Innovation]]></category>
		<category><![CDATA[Knowledge Work]]></category>
		<category><![CDATA[Learning]]></category>
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		<category><![CDATA[Re-invention]]></category>
		<category><![CDATA[Work Literacy]]></category>
		<category><![CDATA[Apprentice]]></category>
		<category><![CDATA[Journeyman]]></category>
		<category><![CDATA[Knowledge]]></category>
		<category><![CDATA[KnowledgeWork]]></category>
		<category><![CDATA[Master]]></category>
		<category><![CDATA[WorkLiteracy]]></category>

		<guid isPermaLink="false">http://nsl.gbrettmiller.com/?p=149</guid>
		<description><![CDATA[Dave Snowden, with whom I share a general dislike (maybe distrust is a better word) for lessons learned / best practices, has a post from about a year ago on the difference between lessons learned and learning lessons. I&#8217;m revisiting these ideas after sharing my thoughts about knowledge work as craft and the growth and [...]]]></description>
			<content:encoded><![CDATA[<p>Dave Snowden, with whom I share a general dislike (maybe distrust is a better word) for lessons learned / best practices, has a post from about a year ago on the <a href="http://www.cognitive-edge.com/blogs/dave/2007/07/learning_lessons_or_lessons_le.php">difference between lessons learned and learning lessons</a>.  I&#8217;m revisiting these ideas after sharing my thoughts about <a href="http://www.mcgeesmusings.net/stories/2002/03/21/KnowledgeWorkAsCraft.html">knowledge work as craft</a> and the <a href="http://nsl.gbrettmiller.com/2007/how-do-knowledge-workers-especially-new-ones-learn-how-to-be-knowledge-workers">growth and development of young knowledge workers as craftsmen</a> with the <a href="http://www.workliteracy.com">Work Literacy</a> group.</p>
<p>Before someone can start working in a craft, they must first learn the basics of the craft.  Part of this learning is traditional learning of the facts, procedures, and techniques that have been learned and passed along by those who have gone before.  While not “lessons learned” in the usual sense,  this type of lessons learned (or best practice) can be of value.</p>
<p>In fact, I think that assimilation of this knowledge, obtained from lessons learned by others, is a key early step in helping people become able to learn their own lessons later on in their career.  Without a solid foundation of what has already been learned, the apprentice is destined to “reinvent the wheel” more than is necessary.  (Note the &#8220;more than necessary&#8221; caveat:  I believe that it is important for the novice to attempt some reinvention of their own; this gives them an understanding of the importance of those early lessons.)</p>
<p>The journey of an apprentice to the realm of the master is, in many ways, a journey from knowledge consumption to knowledge creation.  As an apprentice, the reliance on existing knowledge is very high.  The journeyman learns to understand the knowledge in use and apply it in creative, new ways.  The master, while grounded in the existing knowledge of the craft, is not constrained by that knowledge as he creates new knowledge for use by the next wave of apprentices.</p>
<p>The same progression can be seen in many aspects of knowledge work.  Most will start off in college, accumulating that basic information they need for their chosen field, then move on to a &#8220;journeyman&#8221; stage in a company (or their own company) where they will learn how to apply that accumulated knowledge.   For most, this is the stage they will remain at for most of their career.</p>
<p>If they are lucky, and of course diligent in continuing to develop their own work literacy,  they will progress to the &#8220;master&#8221; stage where they can re-write what is taught to students in college.</p>
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		<title>The toys of today, the tools of tomorrow</title>
		<link>http://nsl.gbrettmiller.com/2008/the-toys-of-today-the-tools-of-tomorrow</link>
		<comments>http://nsl.gbrettmiller.com/2008/the-toys-of-today-the-tools-of-tomorrow#comments</comments>
		<pubDate>Wed, 30 Apr 2008 23:17:07 +0000</pubDate>
		<dc:creator>Brett</dc:creator>
				<category><![CDATA[Blogs]]></category>
		<category><![CDATA[Innovation]]></category>
		<category><![CDATA[Knowledge Work]]></category>
		<category><![CDATA[Learning]]></category>
		<category><![CDATA[Mastery]]></category>
		<category><![CDATA[Tools]]></category>
		<category><![CDATA[toys]]></category>
		<category><![CDATA[Video Games]]></category>
		<category><![CDATA[visual thinking]]></category>
		<category><![CDATA[communications]]></category>
		<category><![CDATA[dave gray]]></category>
		<category><![CDATA[language]]></category>
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		<guid isPermaLink="false">http://nsl.gbrettmiller.com/?p=428</guid>
		<description><![CDATA[At the end of a brief history of human communication, Dave Gray of XPLANE gets to what he sees as the future of communications: visual communications. Today, we are free once more. Paradoxically, now that everything has been reduced to zeros and ones, our only limit is our imagination. What’s interesting is that we continue [...]]]></description>
			<content:encoded><![CDATA[<p>At the end of a <a title="Dave Gray:  What's next in visual communication?" href="http://www.davegray.info/2008/04/03/whats-next-in-visual-communication/">brief history of human communication</a>, <a title="Dave Gray - about" href="http://www.davegrayinfo.com/about/">Dave Gray</a> of <a title="XPLANE:  The visual thinking company" href="http://xplane.com/">XPLANE</a> gets to what he sees as the future of communications:  visual communications.</p>
<blockquote><p>Today, we are free once more. Paradoxically, now that everything has been  reduced to zeros and ones, our only limit is our imagination. What’s interesting  is that we continue to constrain ourselves to the grid, even when it is no  longer necessary. The conventions of printing, which once liberated ideas by  making them mass-producible, have now become a prison.</p>
<p>So what’s next? Watch the kids. In the 1970s we started playing video games,  and although we didn’t know it at the time, we were learning how to interact  with digital technologies. We were learning the hand-eye coordination skills we  would need to operate the computers of the 1980s.</p>
<p><strong>The toys of today are the  tools of tomorrow</strong>: blogging, podcasting, photosharing, videoblogging – these are  all early indicators. People are making their own movies and publishing their  ideas to the world. With every passing year the technology gets cheaper and  easier to use.</p></blockquote>
<p>As Dave alludes to, we all learn how to use tools when we are young, by playing with them as toys.  How many of you had toy trucks and played at construction.  How about &#8220;play&#8221; carpenters?  (I&#8217;m a guy, so please excuse the boy bias.) Using the &#8220;toys&#8221; of today is much the same, with one key difference being that the &#8220;toys&#8221; that kids play with are often the very same &#8220;tools&#8221; that adults use.  (No plastic saw blades here!)  This obviously presents some dangers, and how kids play with their digital &#8220;toys&#8221; needs to be watched, but it makes the process of gaining literacy go that much faster.</p>
<p>So next time someone asks you why you&#8217;re &#8220;playing around with those toys&#8221;, or why you let your kids spend so much time on the computer or playing (or designing!) video games, just tell them you&#8217;re not &#8220;playing&#8221;, you&#8217;re learning how to use the tools you&#8217;ll need to be successful tomorrow.</p>
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		<title>The importance of rehearsal</title>
		<link>http://nsl.gbrettmiller.com/2008/the-importance-of-rehearsal</link>
		<comments>http://nsl.gbrettmiller.com/2008/the-importance-of-rehearsal#comments</comments>
		<pubDate>Wed, 02 Apr 2008 02:01:47 +0000</pubDate>
		<dc:creator>Brett</dc:creator>
				<category><![CDATA[Learning]]></category>
		<category><![CDATA[Mastery]]></category>
		<category><![CDATA[Tools]]></category>

		<guid isPermaLink="false">http://nsl.gbrettmiller.com/2008/the-importance-of-rehearsal</guid>
		<description><![CDATA[I learned the importance of rehearsal while in the military: Plan an operation, try it out, refine the plan. Last night I mentioned to some friends how I use rehearsal in my day-to-day life: Preparing for a presentation, walking through the steps of a plan, practicing a process. Especially when it is something important. In [...]]]></description>
			<content:encoded><![CDATA[<p>I learned the importance of rehearsal while in the military:  Plan an operation, try it out, refine the plan.  Last night I mentioned to some friends how I use rehearsal in my day-to-day life:  Preparing for a presentation, walking through the steps of a plan, practicing a process.  Especially when it is something important.</p>
<p>In <a href="http://www.cognitive-edge.com/blogs/dave/2008/03/not_my_fault_guv.php" title="Cognitive Edge:  Not my fault Guv...">Not my fault Guv&#8230;</a>, Dave Snowden highlights the value of rehearsal on a larger scale:</p>
<blockquote><p>I find it difficult to believe (well maybe I don&#8217;t) that after producing a  major engineering project on time and budget, a combination of BA and BAA could  combine to <a href="http://news.bbc.co.uk/go/rss/-/2/hi/uk_news/7317909.stm">mess up</a> the  opening day of Terminal 5 at Heathrow. <em>Delays at the staff carpark</em> are  in part to blame!  People failed to unload bags fast enough, the queues were too  long.  Hi guys, ever heard of rehearsal?  Simulation software?</p></blockquote>
<p>Of course, the really sad part is how poorly BA and BAA responded when everything went to hell.  Which, of course, Dave discusses as well.  Check it out.</p>
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		<title>A(nother) description of knowledge work</title>
		<link>http://nsl.gbrettmiller.com/2008/another-description-of-knowledge-work</link>
		<comments>http://nsl.gbrettmiller.com/2008/another-description-of-knowledge-work#comments</comments>
		<pubDate>Mon, 31 Mar 2008 23:48:26 +0000</pubDate>
		<dc:creator>Brett</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Knowledge Work]]></category>
		<category><![CDATA[Learning]]></category>
		<category><![CDATA[Mastery]]></category>
		<category><![CDATA[Business]]></category>
		<category><![CDATA[Chess]]></category>
		<category><![CDATA[Garry Kasparov]]></category>
		<category><![CDATA[Leadership]]></category>

		<guid isPermaLink="false">http://nsl.gbrettmiller.com/2008/another-description-of-knowledge-work</guid>
		<description><![CDATA[I am just about finished reading Garry Kasparov&#8216;s 2007 book, How Life Imitates Chess: Making the Right Moves &#8211; from the Board to the Boardroom, and have been holding off on posting anything about the book until I do get to the end. But the following passage, starting on page 183, caught my eye as [...]]]></description>
			<content:encoded><![CDATA[<p>I am just about finished reading <a href="http://en.wikipedia.org/wiki/Garry_Kasparov" title="wikipedia:  Garry Kasparov">Garry Kasparov</a>&#8216;s 2007 book, <strong><a type="amzn" asin="1596913878">How Life Imitates Chess: Making the Right Moves &#8211; from the Board to the Boardroom</a></strong>, and have been holding off on posting anything about the book until I do get to the end.  But the following passage, starting on page 183, caught my eye as an interesting way to look at and possibly define knowledge work:</p>
<blockquote><p>Knowing a solution is at hand is a huge advantage; it&#8217;s like not having a &#8220;none of the above&#8221; option.  Anyone with reasonable competence and adequate resources can solve a puzzle when it is presented as something to be solved.  We can skip the subtle evaluations and move directly to plugging in possible solutions until we hit upon a promising one.  Uncertainty is far more challenging.  Instead of immediately looking for solutions to the crisis, we have to maintain a constant state of asking, &#8220;Is there a crisis* forming?&#8221;</p></blockquote>
<p>Solving a puzzle that you know has a solution may require knowledge, but it is knowledge that already exists.  Figuring out if there is a solution to a problem, or even if there is a problem at all, requires the manipulation of existing knowledge, the gathering of new knowledge / information, and the creation of something new.</p>
<p>See my earlier post, <a href="http://nsl.gbrettmiller.com/2008/a-conversation-on-the-nature-of-knowledge-work" title="NSL:  A conversation on the nature of knowledge work">A conversation on the nature of knowledge work</a>, and the links in that post for more discussion on those ideas.</p>
<p><em>*  In this context, Kasparov explains, &#8220;crisis&#8221; is not a disaster, as the word is commonly used, but rather a &#8220;turning point, a critical moment when the stakes are high and the outcome uncertain.&#8221; </em></p>
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